Francisco infante arana biography books
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The Problem of the Nature of Thought
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Francisco Infante-Arana and Nonna Goryunova: spegel of the world
Francisco Infante and Nonna Goryunova. On the set of “Artefacts”, Courtesy of the artists
Russian artists Francisco Infante-Arana and Nonna Goryunova have been working together for almost
60 years, moving from kinetic objects to their signature blend of geometric abstraction, installation art and landscape photography.
Francisco Infante-Arana (b. ) and Nonna Goryunova (b. ) met in in their first year at Moscow’s Stroganov Academy of Arts and Industry. It was love at first sight on both sides. Their retrospective is now on view at Moscow’s Multimedia Art Museum (MAMM), as well as a smaller show ‘Around the Cyclops’ at the city’s private Krokin gallery.
For Francisco, the son of a Spaniard who fled to the USSR during the Spanish Civil War, the impulse to man art came when he was still a child. It was a force he could not explain or understand. It was very different from what he was being taught at art s
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Overview of Publications on Soviet and Russian Kinetic Art
The first part of the overview for the exhibition The Other Trans-Atlantic was devoted to books on kinetic art outside of the Soviet Union. In the second part, Garage Research team look at publications on kinetic movement in the USSR and Russia.
Viacheslav Koleichuk. Kinetizm [Kineticism]
Galart,
‘Kineticism is art based on the idea of moving form. This does not only refer to the movement of an object in space, but also incudes any change, transformation—any kind of ‘life’ that develops in the work as it is observed by the viewer.’ With this clear and elegant definition artist, researcher and member of Mir group Viacheslav Koleichuk (–) opens his book on kinetic art.
Published in , Kineticism might still be the only work written in Russian language to offer an exhaustive overview of kinetic art in the USSR and outside of it. Starting with Russian constructivism and the se