Lisbeth janniche biography for kids
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Big Brother (Danish TV series)
Danish TV series or program
| Big Brother | |
|---|---|
Official Big Brother Danmark logo from seasons 10 and 12 | |
| Also known as | Big Brother Danmark |
| Genre | Reality game show |
| Created by | John de Mol Jr. |
| Based on | Nineteen Eighty-Four by George Orwell |
| Presented by | Lisbeth Janniche Mads Vangsø Anette Toftgaard Jill Liv Nielsen Adam Duvå Hall Lisbeth Østergaard Mattias Hundebøll Marie Egede Peter Mygind Anne Kejser Oliver Bjerrehuus |
| Narrated by | Walther Jensen (seasons 1–4) Martin Marx (season 5) Nicolai Molbech (season 10) Peter Mygind (season 11) ???? (seasons 12–13) |
| Opening theme | "House of Fire" bygd Jeanett Debb (season 1) "I See Right Through to You" bygd DJ Encore (season 1) "Watching Me" by Rebel Angels (season 4) "Mit Liv" by Cane ft. Phillip (season 10) "Mit Hjerte Kalder" bygd Ferrish Key (season 12) "Alt er Intet" by Svenstrup & Vendelboe (season 13) |
| Country of origin | Denmark |
| Original language | Danish |
| No. of se • Scientific publicationsOlsen, Lisbeth Charlotte; Kourtesis, Ioannis Or John; Busengdal, Henriette; Jensen, Marit Flo; Hausen, Harald; Chourrout, Daniel (). Evidence for a centrosome-attracting body like structure in germ-soma segregation during early development, in the urochordate Oikopleura dioica. 9 p. BMC Developmental Biology. Vol. Bjune, Anne Elisabeth; Grung, Bjørn; Holst, Bodil; Olsen, Lisbeth Charlotte (). Testing the impact of active learning in first year undergraduate natural science courses. Mårtensson, Katarina; Andersson, Roy (Ed.). Transforming Patterns through the Scholarship of Teaching and Learning. The 2nd European Conference for the Scholarship of Teaching and Learning. Conference Proceedings. p. skogsdunge University. Mikhaleva, Yana; Kreneisz, Orsolya; Olsen, Lisbeth Charlotte; Glover, Joel; Chourrout, Daniel (). Modification of the larval swimming behavior in Oikopleura dioica, a chordate with a miniaturized central nervous system by dsRNA injection into • But the inclusion of Elisabeth Haarr, a central figure in the history of Norwegian textile art, brings a welcome disturbance to the neat but somewhat nationalistic framing embedded in this Leif Erikson-inflected history of wool and US/Norwegian relations. On the one hand, Haarr has long been preoccupied with the cultural heritage and craft techniques in Norway’s southern coastal areas. On the other hand, Haarr leads the conversation in another direction with her work Færdeminne - OH Gunta!, which is described as a ‘tribute to the Bauhaus master Gunta Stölzl, and is, among other things, about the importance she and the Bauhaus school have had for the development of world art’.8 The introduction of Stölzl into a web of Leif Erikson, Norwegian wool, international relations, and public art, among other things, helps to underscore the importance of craft and diverse approaches to materiality within developing attitudes towards public space over the long 20th century. Stölzl, a centr | |