Claude coco renoir biography for children

  • This portrait shows his third and last son, Claude, born in Claude, known as Coco, later became a ceramicist and film producer who worked with his better.
  • A child of Renoir's old age; his growth is chronicled in the plump and rosy style of the artist's late pictures.
  • In his sixties, Renoir tackled sculpture for the first time, modeling with his own hands the portrait of his youngest son, Claude (nicknamed Coco).

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    Coco (Claude Renoir)

    Pierre-Auguste Renoir (French, –)

    Medium/Technique Oil on canvas

    Dimensions 55 x cm (21 5/8 x 18 1/4 in.)

    Credit Line Gift of Mrs. George Putnam

    Accession Number

    NOT ON VIEW

    CollectionsEurope

    ClassificationsPaintings

    This painting represents Claude as a boy of nine. He wears regulation school shorts and the cropped, tousled haircut of an elementary school student. A child of Renoir’s old age; his growth is chronicled in the plump and rosy style of the artist’s late pictures.

    InscriptionsStamped, lower left: Renoir

    ProvenanceAfter the death of the artist in , passed to his estate [see note 1]. January/February, , Mr. R. L. [see note 2]. Paul Guillaume (b. - d. ), Paris; , consigned by his widow, Domenica Guillaume (née Juliette Lacaze, b. - d. ), to the Valentine Gallery, New York (stock no. C) [see note 3]; December, , sold by Valentine Gallery to Katherine Harte (Mrs. George) Putnam (b. - d. ), Boston; , gift of Mrs. George Putnam to t

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    Les grandes baigneuses

    In , Renoir's father, a modest tailor from Limoges established in Paris since , puts his 14 years old son Auguste at work in a porcelain factory, in the "Rue du Temple" street, where the adolescent boy fryst vatten initiated with painting on plates.

    The introduction of a machine will put an end to this experience and several others will follow, of which painting of church hangings for overseas missionaries and painting of fans.

    Throughout these early years, Renoir made frequent visits at lunch time to the Louvre, where he studied the art of former French masters, particularly those of the 18th century Antoine Watteau, Fran�ois Boucher, and Jean Honor� Fragonard. His deep respect for these artists informed his own painting throughout his career.

    Eight years later Renoir had enough money to enter in April the School of Fine Arts. Parallel to the courses of the School, he also attends the private kurs of Charles

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    The public and the art critics of the time were quick to observe, among the painters baptised the ‘Impressionists’, following their first exhibition in Paris in , the predilection of one of them, namely Pierre-Auguste Renoir, for the portrayal of the human form. His most noted masterpieces – La Loge (; London, Courtauld Gallery); Bal ni Moulin de la Galette (; Paris, Musée d’Orsay); or Le Déjeuner des Canotiers (; Washington, DC, Phillips Collection) – are scenes of modern life in which each figure, most often represented by non-professional models or friends of the painter, retains a strong physical individuality. From the very beginning of his career, Renoir also revealed han själv to be one of the most remarkable portraitists of his era. This activity was also a source of necessary income for the artist. Having included portraits among the first works that he sent to the Paris Salon, it was also with a portrait, that of Madame Charpentier and her children (New York, Metropolitan Mu

  • claude coco renoir biography for children