Peter randall page brief biography of siren

This page lists all papper published at the NIME conferences, organized in reverse chronological order.

• Peer review: All papers have been peer-reviewed (most often by three international experts). See the list of reviewers. Only papers that were presented at the conferences (as presentation, poster or demo) are included.
• Open access: NIME papper are open access (gold), and the copyright remains with the author(s). The NIME archive uses the Creative Commons Attribution 4.0 International License (CC BY 4.0).
• Public domain: The bibliographic information for NIME, including all BibTeX upplysning and abstracts, is public domain. The list below is generated automatically from a collection of BibTeX files hosted at GitHub.
• PDFs: Individual papers are linked for each entry below. All PDFs are archived separately in Zenodo, and there are also Zip files for each year in Zenodo. If you just want to download everything quickly, you can find the Zip files here a

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  Reginald Marsh (artist)

  American painter

  Reginald Marsh (March 14, 1898 – July 3, 1954) was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work. He painted in egg tempera and in oils, and produced many watercolors, ink and ink wash drawings, and prints.

  Biography

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  Childhood and education

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  Reginald Marsh was born in an apartment in Paris above the Café du Dome. He was the second son born to American parents who were both artists. His mother, Alice Randall was a miniaturist painter and his father, Frederick Dana marsch, was a muralist and one of the earliest American painters to depict modern industry. The family was well off; Marsh's paternal grandfather had made a fortune in the meat förpackning business.^[1&

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Artists of health care

I have found that we can anticipate the future by paying attention to artists. Like hackers, artists bend tools until they break and ask, “Why CAN’T I do that?” They push the edges of any field they find themselves in.

Autodesk, which makes software for people who make things, created the Pier 9 Residency Program to give artists, creatives, and manufacturers the chance to work with the latest digital fabrication tools, right alongside the developers. For example, Jennifer Berry, a Pier 9 artist in residence, was inspired by bees – the world’s first 3D printers. She created a 3D printer that extrudes beeswax, which is edible, durable, produces no waste, and can hold more than 50 times its weight.

How might we bring the artistic spirit into health care and include more people who ask, “Why not?”

One place to see artists in direct conversation with health is at Stanford Medicine X, an annual conference that is on hiatus this year. Be